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Comedy · Donatella and Beatrice reside in a psychiatric facility in Tuscany. They have very different life stories, but a chance to escape brings them together in an adventure that will change their See full summary». Like Crazy (Italian: La pazza gioia) is a Italian comedy-drama film directed by Paolo Virzì, starring Valeria Bruni Tedeschi and Micaela Ramazzotti. It tells the story of two women from different backgrounds who become friends while being treated at a mental institution. It was screened in the Directors' Fortnight section. Beatrice is a motor-mouthed fantasist, a self-styled billionaire countess who likes to believe she's on intimate terms with world leaders. Donatella is a tattooed introvert, a fragile young woman locked in her own mystery. They are both patients at the Villa Biondi, a progressive but secure psychiatric clinic. Paolo Virzì's new film.
14 May Valeria Bruni Tedeschi and Micaela Ramazzotti headline 'Human Capital' director Paolo Virzi's drama about two patients who escape from a mental institution. LIKE CRAZY. Original title: La Pazza Gioia Directed by: Paolo Virzi Cast: Valeria Bruni Tedeschi, Micaela Ramazzotti. Status: Completed. Category: Comedy, Drama Country: Italy, France Year: Photos · Videos. Beatrice is a blabbermouth and a so-called billionaire countess who likes to believe she's in intimacy with world leaders. Donatella is a young quiet tattooed woman, locked in her own mystery. They are both patients of a mental institution and subject to custodial measures. Paolo Virzì's new film tells the story of their.
July 27, Showtime: PM. Stay tuned for events before and after the show! Synopsis. Beatrice is a blabbermouth and a so-called billionaire countess who likes to believe she's in intimacy with world leaders. Donatella is a young quiet tattooed woman, locked in her own mystery. They are both patients of a mental. 4 May Cultural sensitivity about mental illness has increased to the extent that using a psychiatric hospital or its residents as metaphors for society in general is considered in bad taste, at least. But either nobody has told this to the Italian film director Paolo Virzì, or he just doesn't care. The analogy he draws.